Greg Mossop, G0DUB reports that a message sent by the Organization for Amateur Radio in Indonesia (ORARI) on Friday announces that, in response to the activation of the ANAK KRAKATAU volcano in the Sunda Strait between Java and Sumatra, The frequencies of 7100 and 7110 kHz LSB will be used for emergency voice comms and JS8Call data comms respectively.
Operators are encouraged to maintain a listening watch where possible and to follow any further operational announcements issued by ORARI.
The cooperation and support by radio amateurs during this emergency communication operation are greatly appreciated.
The message is signed by YB1BTM, Ageng Aditya, Disaster Communication Committee Chair in IARU Region 3,
ANAK KRAKATAU is the name given to the resurgence of the volcano that was KRAKATAU, a mountain which literally blew up and disappeared in the largest volcanic eruption in recorded history in 1883. ANAK means “child of” in local dialect, and refers to the remnant of the original volcano which has slowly been brewing, spitting out lava, and rebuilding a volcanic mound again.
Its last severe eruption was in 2018, when the south west portion of the volcanic mound slid into the ocean triggering a tsunami resulting in 437 deaths and 31900 injuries, when the waves struck coastal regions of western Java and southern Sumatra.
It would appear that the spirit of KRAKATAU is still alive and smouldering in central Indonesia.
In its letter for 10th September, the ARRL honours James Clerk Maxwell, regarded as the “grandfather” of radio, for his theory of electromagnetic radiation, which laid the foundation for all modern electronic communication techniques, in spite of the fact that the average person knows little or nothing about him. The community where he is buried hopes to change that, as does the James Clerk Maxwell Radio Society, MMØPMS.
James Clerk Maxwell died in 1879 and is buried at the church in Parton, Scotland. The Church of Scotland has put the Parton Kirk, or Church, up for sale. The local community has been given the first option to purchase the building and is attempting to raise the funds to do so. According to Richard Hopkins MM1BHO, co-founder of the James Clerk Maxwell Radio Society, the town of Parton is keen to preserve the Church and develop a Science and Community Centre named after him, to celebrate his scientific contribution and life, and at the same time provide a legacy facility for the community. More information is available on the MM0PMS page on QRZ.com.
Amateur radio emergency communications does not usually require messages to be sent more than 14000km, but a story from the Falkands war 44 years ago bears repeating.
Bob McLeod was a radio ham on Falklands and was the first to break the news to the world that the Falklands had been invaded. However, he drew attention to his own presence by his signals, and his equipment was quickly confiscated by the enemy.
On 29th May 1982, 2 PARA had fought a gruesome battle to take Goose Green, freeing more than 100 villagers who had been held captive in a hall by the Argentinians for almost seven weeks. Eighteen British soldiers died in that fight. Back at home, the families of 2 PARA had heard nothing since the soldiers had set sail and had no way of contacting them.
Alan Bullock was the Forward Observation Officer of D Company, 2 PARA and while walking through the main street of Goose Green, spotted an antenna on the house belonging to Bob. (The antenna had not been confiscated by the enemy.) So he knocked on the door of the house, and Bob answered, and admitted to being a radio amateur, but without equipment.
Bob’s wife suggested that Bob’s 50w amplifier could be used. This had been hidden away under the stairs. As a Forward Observation Officer, Alan had his state-of-the-art at the time, military clansman radio which, with power of only 20 watts for communicating over short distances, could be hooked up to the amplifier.
To get messages back to the UK, Bob made contact with John Wright, a radio amateur in Oxford who he had been chatting to over the airwaves for many years. Together, Bob and John devised a cryptic code for their conversation and each transmitted on a different frequency, in case anyone was listening.
John was sent a soldier’s phone number and a short message over the air to pass on to his family.
Word quickly got around the troops and soon it wasn’t just D Company’s families Bob and John were contacting. Before long, there was a queue outside Bob’s door, with each message always the same – ‘I am safe’.
John said: “Normally, amateur radio enthusiasts talk about their radio equipment, or experiments they’re doing.
“In this case, the communication was to pass family (third party) traffic which, under normal circumstances, isn’t allowed, but I threw caution to the wind and did what I could as quickly and as clandestinely as possible.”
Successfully, this took a lot of worry off the shoulders of the soldiers whose families were contacted, and they agreed they were all very grateful for that.
Thanks to forcesnews.com for the gist of this story.
Such messages are being passed in Tibet after the glacier and landslide, in Indonesia after the volcanic eruption, and in many other emergency situations worldwide. The role of the amateur radio emergency operator will never fall away.
For most radio amateurs, whether they use Morse Code on a daily basis or not, the rhythm of Continuous Wave, as it is formally called, is recognizable and to an extent reassuring.
The seemingly trivial ability to hear a regular pulse in music is a remarkable—and perhaps distinctively human—feature of the brain. In a wide-ranging critical review, Gábor Háden of the HUN-REN Research Centre for Natural Sciences and Henkjan Honing of the University of Amsterdam evaluated more than two decades of research into how this capacity develops and has evolved. Their paper was published this week in the Annals of the New York Academy of Sciences.
Beat perception allows us to extract a regular pulse from a rhythm. It makes it possible to clap along, dance together and coordinate a musical ensemble. The review critically examines four often-made claims: 1) that beat processing is near-universal across human cultures, 2) that it develops spontaneously, 3) that it supports a distinctive form of predictive timing and 4) that it is rare across other species. The conclusion of the paper is deliberately nuanced: The foundations of beat perception appear to be present at birth and are refined by experience, movement and culture, but the available evidence does not justify every stronger claim made in the field.
However, you are fully justified in playing CW conversations to your infant children. They will resonate with their innate rhythms just as well as lullabies.
This is Dave Reece ZS1DFR, preparing for the flack, and reporting for HAMNET in South Africa.